SEARCH |  |  |
| .. |
MONTHLY NEWSLETTER |  |
| ..

Bookmark Us! - Contact Us - Suggestion Box - Help Wanted - Advertise - Media Awards - Submit Your Link - Tell A Friend - For Contributors
MONTHLY GREETING Jazz Theory GETTING STARTED Welcome to AAJ! New to Jazz? Building a Jazz Library History of Jazz Jazz Humor
Show All Titles About AAJ Showcase ...In The Centerpoint Tolvan Big Band It Was A Very Good Year John Basile How's That? Mike Kaplan Nonet Chorale Simone Guiducci Strings Jim Snidero Star Hustler Will Sellenraad
Ali Ryerson & Joe Beck
| . |
Songs & Lullabies Fred Hersch and Norma Winstone | Sunnyside
Pianist Fred Hersch has long been respected in the jazz community for his chops, lush harmonic sense, steady growth and productivity, and the ability to compose beautiful, lingering melodies. His recent Guggenheim fellowship finally recognizes him as a national cultural treasure. Fred makes Herschian music - using whatever he chooses to best follow his muse - while his work is always jazz-inflected, it embraces classical forms as well. I recently saw him premiere his "24 Variations on a Bach Chorale" at Carnegie Hall and then perform his superb left- handed nocturne. The rest of the program was piano jazz, including some of the selections from Songs & Lullabies, just released on Sunnyside. One of these may be the most beautiful song Hersch has written to date: originally called "Endless Stars," inspired by (and musically painting) a clear winter night in New Hampshire, his solo version nearly floated me right out of my seat. His trio also does the tune on their recent Live at the Village Vanguard album; on this one it's called "Stars," with lyrics by Norma Winstone that deepen and personalize its meaning. Norma Winstone is an ideal lyricist for Hersch's lavish melodies. She creates intelligent, poetic, yet succinct statements about life and love and sings them soulfully and naturally, without affectation or schmaltz. Norma doesn't have a big voice, and some may object to the occasional thinness in her upper register, but she's pitch-perfect and her improvisations flow perfectly with Hersch's music. The superb vibist Gary Burton also visits on three tracks, adding texture and light. It's a very beautiful CD, romantic without being sappy, well-paced with up tunes and ballads, with generous piano solos on every track. Fans of Hersch's '80s classics "Heartsong" and "Sarabande" will find them enhanced by Winstone's sentiments. The witty highlight is "The Eighth Deadly Sin," a Monk-ish tune with dead-on lyrics about deadlines and procrastination. To those who sniff that Fred Hersch's playing is too intellectual (in my experience, usually those who can't match his technique), I suggest that Hersch has never been more direct, open and emotional than on this CD. Whether passionate or tender, his playing is always thoughtful and consistently brilliant. Bravo on that Guggenheim, Fred. Now the rest of the country is more likely to experience what jazz has known for about 30 years. ~ Dr. Judith Schlesinger
| Track Listing: Longing, Stars, A Wish, Lost in Another Time, Songs & Lullabies, Spirits, The Eighth Deadly Sin, Bird in the Rain, To Music, Song of Life, Invitation to the Dance. TT = 58:11 Personnel: Fred Hersch/piano, composer, producer; Norma Winstone/lyrics, vocals, producer; Gary Burton/ vibes
Search For Another CD Review... Search by Artist Name, Record Label or Review Author
Contact Us - Help Wanted - Suggestion Box - Advertise - Submit Your Link - For Contributors

All material copyright © 1996-2003 All About Jazz and contributing writers. All rights reserved. | Privacy Policy