Using the 1922 silent movie Nosferatu: A Symphony of Horror for inspiration, pianist Mick
Rossi composed an original film score for the historic work. The film was one of the earliest
depictions of the vampire phenomenon made universally famous through novelist Bram Stoker’s
Dracula in 1897 and crystallized by the acting of Bela Lugosi in subsequent Dracula films
starting in the 1930s and continuing into the present era. F. W. Murnau directed this version, which
was shown on Halloween 2000 at Rowan University, and Rossi’s score was performed live as
musical commentary to the speechless action on the screen.
The music is commanding and powerful. Rossi and clarinetist Andy Laster are the prime
soloists. The Rowan University Percussion Ensemble, consisting of ten percussionists and eight
bassists, lavishly embellish the dark and light passages with all manner of interpretive speech.
Rowan University Music Department Chairman Dean Witten conducted the massive undertaking.
The intrigue of this performance is pervasive, but its imagery is startlingly realistic and
communicative. Rossi scurries over the keys depicting lighter film moments and then seeps deeply
into the darkness with ponderous thunder as the action becomes morose. Laster intertwines clarinet
passages that spring freely from his instrument to cloak the mood swings. The clarinet has the
capacity to evoke numerous feelings, and Laster sets the shifting scenes with his conceptual
outpourings.
The percussionists play an extremely important role in this presentation. Lighthearted vibes and
marimba tones transform into segments portraying sinister energy. Similarly, the bassists add their
brand of aural description of the action, such as during stalking scenes and other stealthy, heart-
stopping sections. All of these emotions are suggested by Rossi and the orchestra without one
needing to be actually watching the movie.
As the film progresses deeper and deeper into its ghoulish plot, the music realistically relays the
images to the mind. Rossi ponders over the keys and Laster portrays cautiousness that soon erupts
into a state of frightening agitation when the inevitable consequences of the storyline unfold in full.
The kettle drums explode, the bassists become frenzied, and Rossi and Laster continue to transport
the visions in compelling musical terms. Rossi often steers the ensemble into sections of free
improvisation to inject spontaneity into the action.
Although this gigantic effort was done in support of the silent film, it stands on its own as a
significant artistic work. Rossi’s score and improvisations contain all the elements necessary to
stimulate a demanding musical appetite, and the intricate blending of Laster’s clarinet with the
percussionists’ and bassists’ nuances cum overt outbursts makes the recording an emotionally
charged, cross-genre event.
Visit
www.dreamboxmedia.com.
~ Frank Rubolino
