This is G o o g l e's cache of http://www.allaboutjazz.com/reviews/r0603_126.htm. G o o g l e's cache is the snapshot that we took of the page as we crawled the web. The page may have changed since that time. Click here for the current page without highlighting. To link to or bookmark this page, use the following url: `http://www.google.com/search?q=cache%3ArsE_uslwBH0J%3Awww.allaboutjazz.com/reviews/r0603_126.htm&hl=en&ie=UTF-8` Google is not affiliated with the authors of this page nor responsible for its content.

SEARCH |  |  |
| .. |
MONTHLY NEWSLETTER |  |
| ..

Bookmark Us! - Contact Us - Comments - Help Wanted - Advertise - Media Awards - Submit Your Link - Tell A Friend - For Contributors
MONTHLY GREETING Pack Light GETTING STARTED Welcome to AAJ! New to Jazz? Building a Jazz Library History of Jazz Jazz Humor
Show All Titles About AAJ Showcase Word of Mouth Revisited Jaco Pastorius Big Band Three Guitars Coryell, Assad & Abercrombie Live! Lynette Washington & Dennis Bell The Bandwagon Jason Moran Up For It Keith Jarrett Paesanos on the New B3 Tony Monaco Smoky Dawn Lynette Washington
Jon Mayer
| . |
Duets (Wesleyan) 2002 Anthony Braxton/ Taylor Ho Bynum | Innova
Anthony Braxton’s duo work has so far been a mixed success. Not all of these recordings have worked, given the attitude and disposition of the players. While improvisation has been the core of these meetings, the specific approach chosen has dictated the outcome. Taylor Ho Bynum is clearly a soul mate, and the one unwritten tune, “Improvisation,” proves this fact beyond the pale of a doubt. The empathy is immediate as the two players invest the sonic palette with manifold permutations from the sumptuously mellifluous alto sax to the fleet fulminations of the trumpbone--the squeaks, the trills and the linear all finding ready acknowledgement without losing a tick. Time and silence are characteristics that have always marked Braxton’s music. These traits are well evidenced here, perhaps none more so than on the aptly titled “To Wait.” The pace is deliberate, nothing vaunted in hurry, and purpose is well served in the reflective dialogue and the understated, yet eloquent responses. A sense of urgency briefly fires “Composition 304.” Long lines splinter into rapid fire shards, light filigrees float in consonance, the patterns shift constantly, the embers glow in the radiance of the music. “All Roads Lead To Middletown” gives rise to a happy feeling with the arrival of a strong melody that swings. Of course the tune would not be complete if this sense was not dissipated for a turn in the road and free meander. It matters not what tale they tell; Braxton and Bynum do it simpatico. Visit Innova on the web. ~ Jerry D'Souza
| Track Listing: Composition 304; Scrabble; To Wait; All Roads Lead To Middletown; Improvisation; Composition 305 Personnel: Anthony Braxton—sopranino, soprano, F alto, Eb alto and baritone saxophones, Eb, Bb and contralto clarinets; Taylor Ho Bynum—cornet, trumpbone, shell and mutes
Search For Another CD Review... Search by Artist Name, Record Label or Review Author
Contact Us - Help Wanted - Suggestion Box - Advertise - Submit Your Link - For Contributors

All material copyright © 1996-2003 All About Jazz and contributing writers. All rights reserved. | Privacy Policy