This is G o o g l e's cache of http://www.allaboutjazz.com/reviews/r0903_001.htm. G o o g l e's cache is the snapshot that we took of the page as we crawled the web. The page may have changed since that time. Click here for the current page without highlighting. To link to or bookmark this page, use the following url: `http://www.google.com/search?q=cache%3AQ-UzRNmuW70J%3Awww.allaboutjazz.com/reviews/r0903_001.htm+&hl=en&ie=UTF-8` Google is not affiliated with the authors of this page nor responsible for its content.

SEARCH |  |  |
| .. |
MONTHLY NEWSLETTER |  |
| ..

Bookmark Us! - Contact Us - Comments - Help Wanted - Advertise - Media Awards - Submit Your Link - Tell A Friend - For Contributors
MONTHLY GREETING Pack Light GETTING STARTED Welcome to AAJ! New to Jazz? Building a Jazz Library History of Jazz Jazz Humor
Show All Titles About AAJ Showcase The Bandwagon Jason Moran Live! Lynette Washington & Dennis Bell Word of Mouth Revisited Jaco Pastorius Big Band A Little Moonlight Dianne Reeves Paesanos on the New B3 Tony Monaco Three Guitars Coryell, Assad & Abercrombie Azalea LM Pagano
Jon Mayer
| . |
Couldn’t Be Hotter The Manhattan Transfer | Telarc Jazz
The ManhattanTransfer, collectively consisting of Alan Paul, Janis Siegel, Cheryl Bentyne, and Tim Hauser, has been performing as a unit for more than 30 years. As a vocal group, they offer a lighthearted foil to Lambert, Hendricks, and Ross. The Transfer has always been more pop-oriented than smiled upon by the jazz community. They were never afraid to include novelty tunes and rock influence in their fine performances. But still, the group has retained a smart hipster’s identity and has made high caliber music for the better part of their run. After having recorded for Atlantic since the mid-1990s, the group jumps to Telarc and kicks things off with this live set recorded in Tokyo in late 2000. On the whole the group remains this side of bebop, opting for a program of traditional jazz and swing tunes, as well as a generous smattering of Armstrongtonia. Pops looms large over the Transfer’s concert landscape on Couldn’t Be Hotter. "Old Man Mose," and "Up a Lazy River" were both Armstrong vehicles. "Do You Know What It Means To Miss New Orleans" and "Stars Fell On Alabama " round out the Satchmo lovefest. "Blue Again" is seasoned with Wayne Johnson’s slide guitar, providing a rich stew of influences, including Chicago Jazz and Doo Op. "Nuages" is full of whimsy and fun, bragging Jon Hendricks-penned lyrics over Django’s peerless melody. Saxophonist Larry Klimas’ contributions to especially "Sugar" and "Stompin’ At Mahogany Hall," are effervescent and humid all at once. "Nothing Could Be Hotter Than That," "It’s Good Enough To Keep," and "Don’t Let Go" span the considerable breadth of the Transfer’s capability, amply demonstrating the group’s ability to sing double-time. Winding it down, "Twilight Zone / Twilight Tone" is pure entertainment. Perfect bliss comes through on the closer, eight minutes of "My Foolish Heart." Ensemble singing may not get any better. ~ C. Michael Bailey
| Track Listing: Old Man Mose; Sing Moten’s Swing; A-Tisket, A Tasket; Sugar; Up A Lazy River; Do You Know What It Means To Miss New Orleans; Stars Fell On Alabama; Gone Fishin’; Blue Again; Clouds; Stompin’ At Mahogany Hall; Nothing Could Be Hotter Than That; It’s Good Enough To Keep; Don’t Let Go; Twilight Zone; My Foolish Heart. Personnel: Alan Paul; Janis Siegel; Cheryl Bentyne, Tim Hauser—Vocals; Yaron Gershovsky—Keyboards; Time Brechtlein—Drums; Michael Bowie—Bass; Wayne Johnson—Guitars; Larry Klimas— Saxophones; Lew Soloff--Trumpet.
Search For Another CD Review... Search by Artist Name, Record Label or Review Author
Contact Us - Help Wanted - Suggestion Box - Advertise - Submit Your Link - For Contributors

All material copyright © 1996-2003 All About Jazz and contributing writers. All rights reserved. | Privacy Policy