This is G o o g l e's cache of http://www.allaboutjazz.com/reviews/r0703_115.htm. G o o g l e's cache is the snapshot that we took of the page as we crawled the web. The page may have changed since that time. Click here for the current page without highlighting. To link to or bookmark this page, use the following url: `http://www.google.com/search?q=cache%3AIjxTNZfdLRUJ%3Awww.allaboutjazz.com/reviews/r0703_115.htm&hl=en&ie=UTF-8` Google is not affiliated with the authors of this page nor responsible for its content.

SEARCH |  |  |
| .. |
MONTHLY NEWSLETTER |  |
| ..

Bookmark Us! - Contact Us - Comments - Help Wanted - Advertise - Media Awards - Submit Your Link - Tell A Friend - For Contributors
MONTHLY GREETING Pack Light GETTING STARTED Welcome to AAJ! New to Jazz? Building a Jazz Library History of Jazz Jazz Humor
Show All Titles About AAJ Showcase A Little Moonlight Dianne Reeves The Bandwagon Jason Moran Azalea LM Pagano Three Guitars Coryell, Assad & Abercrombie Smoky Dawn Lynette Washington Live! Lynette Washington & Dennis Bell Resonance Taylor Eigsti
Jon Mayer
| . |
Friendship Clark Terry and Max Roach | Eighty-Eights/Columbia
On the day this lovely recording was released, co-leaders Clark Terry (trumpet) and Max Roach (drums), legends both, were 82 and 79 years old respectively. Perhaps it would be best to get the clichés out of the way. Yes, it’s important that elder statesmen of jazz keep recording, and no one deserves that title more than these gentlemen. And it’s also great that the "old" guys have still “got it,” as they both most assuredly do. But what about the music? Friendship is a recording of fresh, swinging music with broad but intelligent appeal to committed Terry or Roach fans as well as new listeners just coming to an appreciation of these great musicians. Clark Terry demonstrates the flawless technique, buttery sound, and elegant, good-natured, witty improvisation for which he is famous. Roach offers, as always, a powerful conception of the drums, using a wide and creative sound palette. His approach on this recording is so unassuming that it is easy to lose sight of how complete his playing is in itself. “Lil’ Max,” for example, is a musical whole. It takes a bit of attention to realize that it is also an unaccompanied drum solo. Both Don Friedman (piano) and the inexplicably under-recognized Marcus McLaurine (bass) have long been associated with Terry. Everyone sounds comfortable with themselves, each other, and the straightforward, but demanding quartet setting. Friendship also has an eclectic side. The album begins with “Statements,” a free jazz duet between the co-leaders. The set includes Monk’s “Let’s Cool One” and the standards “But Beautiful,” "When I Fall in Love,” “Makin’ Whoopee,” “The Nearness of You,” and “I Remember Clifford.” By continuing to perform at this level, Terry and Roach, who for decades have had nothing to prove to anyone, not only enrich us musically yet again--they also teach important lessons about artistic integrity. We are lucky to have their example. This review originally appeared in the July 2003 issue of All About Jazz - New York. ~ Steven Robinson
| Track Listing: 1. Statements - 1:47 2. Let's Cool One - 6:35 3. Brushes and Brass - 1:44 4. Simple Waltz - 3:10 5. I Remember Clifford - 2:26 6. Lil Max - 3:37 7. But Beautiful - 6:28 8. The Profit - 2:20 9. When I Fall in Love - 2:07 10. For Dancers Only - 3:13 11. Makin' Whoopee - 8:14 12. To Basie With Love - 1:51 13. The Nearness of You - 2:24 Personnel: Don Friedman - Piano, Max Roach - Drums, Clark Terry - Trumpet, Flugelhorn, Marcus McLaurine - Bass.
Search For Another CD Review... Search by Artist Name, Record Label or Review Author
Contact Us - Help Wanted - Suggestion Box - Advertise - Submit Your Link - For Contributors

All material copyright © 1996-2003 All About Jazz and contributing writers. All rights reserved. | Privacy Policy