This is G o o g l e's cache of http://www.allaboutjazz.com/reviews/r0803_073.htm. G o o g l e's cache is the snapshot that we took of the page as we crawled the web. The page may have changed since that time. Click here for the current page without highlighting. To link to or bookmark this page, use the following url: `http://www.google.com/search?q=cache%3AIipkaOLc1BUJ%3Awww.allaboutjazz.com/reviews/r0803_073.htm&hl=en&ie=UTF-8` Google is not affiliated with the authors of this page nor responsible for its content.

SEARCH |  |  |
| .. |
MONTHLY NEWSLETTER |  |
| ..

Bookmark Us! - Contact Us - Comments - Help Wanted - Advertise - Media Awards - Submit Your Link - Tell A Friend - For Contributors
MONTHLY GREETING Pack Light GETTING STARTED Welcome to AAJ! New to Jazz? Building a Jazz Library History of Jazz Jazz Humor
Show All Titles About AAJ Showcase The Bandwagon Jason Moran Live! Lynette Washington & Dennis Bell A Little Moonlight Dianne Reeves Paesanos on the New B3 Tony Monaco Resonance Taylor Eigsti Word of Mouth Revisited Jaco Pastorius Big Band Smoky Dawn Lynette Washington
Jon Mayer
| . |
Bounce Terence Blanchard | Blue Note
Bounce is a collage of swinging, soulful, and artistic cuts that are bound to strike the fancy of Terence Blanchard fans. The band's vast range covers territory from bop to African beats to traditional New Orleans marching band music, as demonstrated on the cuts “Transform,” “Azania,” and “Bounce/Let’s Go Off” respectively. Blanchard calls on the services of Brice Winston, Lionel Loueke, Robert Glasper, Aaron Parks, Brandon Owens, and Eric Harland for Bounce. Interestingly, none of the band members (save Blanchard) are proverbial household jazz names. This is testimony enough that straight up, unadulterated jazz need not include neon-light, star musicians in order to produce quality, thoughtful scores. This tight band came to play. The skilfully done “Nocturna” is the most seductive, mellow cut on the disc. Blanchard uses his trumpet as a voice, communicating his penchant for romantic flair. Owens keeps the melody going on bass while Loueke flicks his guitar to accent the piece. As the track quickens, Blanchard returns and turns up the heat, cooking at a mile high crescendo. And Harland's sound is simply beautiful as he massages the drums, knowing when to accent the melody. “Footprints,” a Wayne Shorter classic, is excellently done and begins with the funky bass-driven, drum-accented vamp. Blanchard appears to lay back in the cut before he moves into Shorter’s classic vein. The band handles this classic with the utmost integrity, handling the jewel with class. Parks’ piano accents are skillfully conceived and well-timed along with Harland’s drum strokes. Blanchard has a way of capturing the listeners ear using high notes combined with sounds from the lower range. Not to be outdone, Winston delves into a tight mini-solo on saxophone that demonstrates a fluent sense of improvisation in addition to a resonance with the original composition. Bounce’s nine tracks are skillfully done and well executed. Once again, Blanchard serves up a wonderful feast of aurally delightful jazz. Blue Note on the web: www.bluenote.com. This review first appeared in All About Jazz: Los Angeles. ~ Eddie Becton
| Track Listing: On the Verge, Passionate Courage, Fred Brown, Nocturna, Azania, Footprints, Transform, Innocence, Bounce, Let’s Go Off Personnel: Terence Blanchard- trumpet; Brice Winstontenor and soprano saxophone; Lionel Loueke- guitar, vocals; Robert Glasper- Hammond B-3, Fender Rhodes; Aaron Parks- piano; Brandon Owens- bass; Eric Harland- drums
Search For Another CD Review... Search by Artist Name, Record Label or Review Author
Contact Us - Help Wanted - Suggestion Box - Advertise - Submit Your Link - For Contributors

All material copyright © 1996-2003 All About Jazz and contributing writers. All rights reserved. | Privacy Policy