French trumpeter Erik Truffaz proves again to be a jazz non-conformist on his fourth US Blue Note
release, where he exploits the musical elements of hard rock, funk,
psychedelia, dance, and jazz in grand fashion. On last year's notable Mantis, which
featured nice guitar work, Arab vocals, and unusual instruments, he showed no fear in blurring the
boundaries of various musical genres. The similarities to Miles Davis fusion works are
unmistakable; and like Miles, Truffaz seems to be somewhat of a music explorer who will not settle
for the jazz status quo.
While Mantis featured a heavy drum-n-bass influence, The Walk of the Giant Turtle is
more rock oriented. Truffaz admittedly listened more to the rock group Led Zeppelin than Miles
Davis growing up, and three selections feature head-banger excursions. With feedback, echo
effects, and over-amped mikes, the record makes one swear that a distorted Stratocaster is in the
mix. Trufaz’s trumpet is at times electronically wired, giving the illusion of a wild guitar solo on
selections such “King B.” The technology highlights the music yet never becomes gimmicky or
overstated.
Truffaz uses a minimalist approach to his playing. His solos incorporate sparse notes and delayed
timing with an emphasis on creating the right mood for each composition. This band features a tight
group of musicians with whom the trumpeter has toured and performed for many years. The quartet
shines on “Seven Skies,” featuring an extreme keyboard solo from Muller as well as strong
rhythm work from bassist Marcello Giuliana and drummer Marc Erbetta. These varied selections
include equal portions that are hypnotic, mesmerizing, and rhythmic, such as the title selection and
the moody “Flamingos.” Whether you want to chill out, party, or rock your head off, this is music that
should be cranked up all the way on your volume setting.
The enchanced CD also features a quicktime movie of a live studio performance.
Visit Erik Truffaz on the web.
~ Mark F. Turner
