On the highflying Beijing, Michael Musillami sets up shop with a swinging team of
sprightly improvisers in bassist Joe Fonda and drummer George Schuller. Musillami gets into an
adventuresome mode on this set, and the others enlist for the fun-loving trip. They play mostly
original compositions by Musillami or by band members collectively.
The music cooks in a stream of relaxed waves. Musillami’s delivery has lyrical leanings, but his
improvising leaves convention behind to seek haven in more exotic realms. His output peaks with
clear sound devoid of electronic fuzziness. Musillami sends out an unadulterated message that is
very palatable while maintaining a challenging environment. He excels on the title cut with long,
ringing choruses that dance in the air as flickering filaments of light.
Fonda and Schuller run with him on this very fast track. They open the set with a short
percussive display of freeform interaction and then glide unerringly into their group role. Fonda gets
into a consistently motivating groove with a solid, throbbing message; yet he also
deviates off course with atypical contributions, particularly in the arco mode. Schuller
similarly stirs the pot with a range of rhythmic cadence that maintains a degree of balance countered
by off-balance, arrhythmic spurts to push the music in unpredictable directions.
For most of this charged session, it appears these musicians are having fun on this joy ride.
They jab and poke at each other with playful teasing on “Pivot” and generally exude a sense of
delight on most of the spirited tunes. The one exception is the haunting Thomas Chapin piece “The
Present,” where the mood changes to pensive and the tempo to ballad pace. It offers the chance for
Musillami to become an eloquent improviser with tender phraseology and softened
interpretations.
Moodiness aside, the session sustains the perception of three artists cutting loose with
invigorating songs that permit a large dose of self-expression to emerge from the tight group activity.
It is a vehicle for improvisers to kick things into a higher gear with enthusiastic, interconnected
playing. Musillami, Fonda, and Schuller do just that on this performance that dares you to remain
still while the disc is spinning.
~ Frank Rubolino
