The call of the avant-garde and free expression, with the avowed spirit of John Coltrane upon them, is but one side. The other is a calmer plain, a more linear progression and an emphasis on melody. One cannot argue with the split: the music testifies! Zappa is a hard blowing tenor man, his voice in command and in control of the elements. Oh yes, he does honk and gives vent to the squeal, but he is loquacious in the writing of his dictionary: bold, brusque and vibrant. Leonard is not only responsive to the call of Zappa, he is constantly churning ideas, pithy injects that can invoke and create a shift in tide. Skrowaczewski attunes dynamics in his accents on the cymbals, the prancing patterns on the snares and in the swish and jingle of percussion.

From the earlier work, “Atomic Swerve” stands out for the interjections of sound from the clarinet where melody and atonal lines straighten out seamlessly before the discourse is continued through “Increase and Ornament.” The heated manifestation of “Along the Breakwater” harkens back to the music that came out of their first foray into the studio. The rest of the tracks clasp the warmth that emanates from the tuneful "The Geometry of Change” to the waltzy, melancholic “Ye Olde Mitre.” At the end of it all this band makes a pressing claim for attention.

~ Jerry D'Souza

Track Listing:

Teredo Navalis; Artificial Vision; Reconstructed Topography; Atomic Swerve; Increase and Ornament; Along the Breakwater; The Geometry of Change; Pavor Nocturnus; Endless Highways; Ye Olde Mitre; Forgotten Language; Premonition

Personnel: