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Singer/songwriter Shirley Eikhard puts it all together on her own. Her accompaniment comes about
through multi-tracking: she plays all the instruments. A string section, lovely guitar melodies,
programmed percussion, a versatile bass line, and intricately woven keyboard thoughts blend
together in Eikhard’s songs. Stay Open represents a departure from her straight-ahead
formula,
and a wider jazz boundary that includes folk, R&B and pop.
“How Low Can You Go” and “Aren’t We Clever” feature a sparkling guest sextet accompanying
the vocalist with fiery passion. Eikhard is at her best with this ensemble, opening up in
a convincing manner to interpret her lyrics with genuine emotion. The session, which rests
comfortably on its songwriting laurels, brings fresh ideas to the forum. “Jake’s Lament,” an
instrumental number, places the sextet in the spotlight for a pleasurable romp through mainstream
territory.
Eikhard’s smooth contralto voice enables her to interpret her songs with ease. Each one tells an
interesting story which we can relate with at a moment’s notice. Most of her multi-tracked
arrangements, however, venture into the smooth jazz arena with blasé feelings. Only when she
features her chromatic harmonica on “Stay Open” and “Waltz for Tess” does Eikhard turn the tables
on the business of multi-tracking. Both arrangements sear with power and intensity. While Stay
Open appeals to a broader, pop culture audience, the album includes just enough from the jazz
tradition to keep the flame alive.
Audio samples are available from her web site,
www.shirleyeikhard.com.
~ Jim Santella
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Track Listing: Take it to the Max; Stay Open; Coyote Highway; Surrendering; Style; Waltz for Tess; How Low Can
You Go; Jake’s Lament; Aren’t We Clever; Seize the Moment; Stay Open; The Touch of Evil.
Personnel: Shirley Eikhard- vocals, background vocals, keyboards, guitar, bass, harmonica, mandolin,
percussion; Mark Eiseman- piano; Pat Collins- bass; Barry Elmes- drums; Reg Schwager- guitar;
Kevin Turcotte- trumpet; Mike Murley- tenor saxophone.
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