There's little need for explanation when it comes to Albert King. Though he never had a profile near
that of B.B., the "other" King, he has been incredibly influential on generations of blues musicians.
Like fellow lefty Jimi Hendrix, he played a right-handed guitar upside-down and backwards. More
than most blues musicians, he lingered on stretched notes to provide emotional emphasis. And
rather than aiming for blues purity--which would have been perfectly in character given his Delta
and Arkansas origins--he integrated popular styles into his sound.
The 1978 live performance documented on Talkin' Blues was recorded in Chicago and
never previously released. As a snapshot of a musical vision in flux, it's quite informative. Signature
songs like the opener, "Born Under A Bad Sign," receive a groove-infused treatment
from King's
core power trio. The horns that chime in regularly throughout these tunes provide rhythmic
support and a certain degree of expansiveness, though they tend to be disappointingly repetitive.
(Surely that's a conscious choice, but not to my liking.)
Whatever goes on in the background, this is Albert King's show all the way. His playing is warm,
articulate, and inviting, with a strong vocal quality. In style, it tends to veer toward the rock and R&B
elements that helped King reach a broad audience--check out the pure soul of "The Very
Thought of
You," for example. On the other tracks his vocals, suitably rough-edged, thrust out in bursts.
All in a
day's work.
This delayed release has one singular problem. Those three damn interview tracks thrown in
the middle of the recording (hint:
the record is called Talkin' Blues ) just bring it down. It would have been so much better to
save the indulgent talk for the end, instead of interrupting the flow of the music. This is a live show,
folks. No need for King to break in and tell us that he "understand[s] the blues."
Oh well. At least these interruptions are all 30 seconds or less, and the bulk of the interview
arrives after the music ends.
As a new addition to King's immense discography going back to 1962, this record fills an
important gap. In some sense it's a historical document, as the interview emphasizes. Well above
average among these recordings, Talkin' Blues has much to offer for dedicated fans and
novices alike. It's as good an introduction as any to King's late '70s work.
Visit Thirsty Ear on the web.
~ Nils Jacobson
