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There's something to be said for conciseness. Ellington and his band members were masters of the
most succinct yet complete solos perhaps in jazz
history. The two big stars in Duke's orchestral
constellation from the early '40s were bassist Jimmie Blanton and his first official voice on tenor, Ben
Webster. A recently reissued set of 3 CDs captures what many would consider the band in its prime,
recorded only just after Ellington had found his
musical soulmate in composer, arranger, and
occasional pianist Billy Strayhorn.
Bassist Blanton, who was almost exclusively associated with Duke, had a brief but
extraordinarily influential career not unlike guitarist Charlie Christian, who also prematurely passed
away in his 20s. For
evidence of his legendary status, listen no further than the way he pushes the leader and his fellow
band mates on "Jack The Bear" (featuring that timeless final 4-bar statement), or his
breathtaking fills through "Sepia Panorama." There are also the awesome
unaccompanied duets he recorded with Ellington, a milestone in both arco and pizzicato playing
(feast your ears to "Body and Soul" or "Sophisticated Lady"). Webster's robust
driving tone on "Five O'Clock Drag" and alternately smooth breathy delivery on such
ballads as "Chelsea Bridge" provided yet another key ingredient in Ellington’s band of
the period.
Of the many other significant instrumentalists in the band, another standout is altoist Johnny
Hodges, jazz balladeer royalty as heard in "I Got It Bad" and "Sentimental
Lady." Tricky Sam Nanton's plunger mute mastery, rendering him one of the most voice-like
performers on the brass
instrument, amazes on "Chloe (Song of Swamp)." Clarinetist Barney Bigard's warm slow
delivery on "Across The Track Blues" contrasts with his uptempo New Orleans roots
heard in "Sidewalks of New York" and his classical-to-swinging chops on "Are You
Sticking." Harry Carney, jazz's first baritone soloist, is given the feature of "Chocolate
Shake." There are countless others to mention; Duke's bands were the equivalent of any
Olympic Dream Team.
The textural ensemble arrangements and passages of reed and brass not only set the standard
for big bands and jazz orchestras, but created an ideal near insurmountable to improve upon. The
Blanton-Webster band excelled through both uptempo and
ballad numbers alike and produced some of the most memorable solos put to wax. Ellington's band,
after all, was always his first instrument.
This review originally appeared in
All About Jazz-New York (June 2003).
~ Laurence Donohue-Greene
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Track Listing: 1. You, You Darlin' 3:20
2. Jack the Bear 3:17
3. Ko-Ko 2:43
4. Morning Glory 3:18
5. So Far, So Good 2:53
6. Conga Brava 2:59
7. Concerto for Cootie 3:20
8. Me and You 2:55
9. Cotton Tail 3:13
10. Never No Lament 3:19
11. Dusk 3:21
12. Bojangles 2:54
13. A Portrait of Bert Williams 3:10
14. Blue Goose 3:23
15. Harlem Air-Shaft 3:00
16. At a Dixie Roadside Diner 2:49
17. All Too Soon 3:31
18. Rumpus in Richmond 2:50
19. My Greatest Mistake 3:27
20. Sepia Panorama 3:25
21. There Shall Be No Night 3:13
22. In a Mellotone 3:17
23. Five O'Clock Whistle 3:19
24. The Flaming Sword 3:09
25. Warm Valley 3:21
26. Across the Track Blues 3:01
27. Chloe (Song of the Swamp) 3:27
28. I Never Felt This Way Before 3:33
29. The Sidewalks of New York 3:15
30. Flamingo 3:24
31. The Girl in My Dreams Tries to Look Like... 3:20
32. Take the "A" Train 2:57
33. Jumpin' Punkins 3:34
34. John Hardy's Wife 3:30
35. Blue Serge 3:23
36. After All 3:23
37. Bakiff 3:26
38. Are You Sticking? 3:06
39. Just A-Sittin' and A-Rockin' 3:36
40. The Giddybug Gallop 3:36
41. Pitter Panther Patter 3:03
42. Body and Soul 3:11
43. Sophisticated Lady 2:47
44. Mr. J.B. Blues 3:09
45. Ko-Ko [alternate take] 2:40
46. Bojangles [alternate take] 2:46
47. Sepia Panorama [alternate take] 3:24
48. Jumpin' Punkins [alternate take] 3:42
49. Jump for Joy [alternate take] 2:56
50. Chocolate Shake 2:56
51. I Got It Bad (And That Ain't Good) 3:21
52. Clementine 3:01
53. The Brown-Skin Gal (In the Calico Gown) (Ellington/Webster) - 3:11
54. Jump for Joy 2:54
55. Moon Over Cuba 3:15
56. Five O'Clock Drag 3:14
57. Rocks in My Bed 3:09
58. Bli-Blip 3:07
59. Raincheck 2:32
60. What Good Would It Do? (James/Pepper) - 2:48
61. I Don't Know What Kind of Blues I Got 3:17
62. Chelsea Bridge 2:56
63. Perdido 3:10
64. The "C" Jam Blues 2:39
65. Moon Mist 3:00
66. What Am I Here For? 3:27
67. I Don't Mind 2:51
68. Someone 3:10
69. My Little Brown Book 3:14
70. Main Stem 2:51
71. Johnny Come Lately 2:43
72. Hayfoot, Strawfoot 2:36
73. Sentimental Lady 3:04
74. A Slip of the Lip (Can Sink a Ship) 2:58
75. Sherman Shuffle 2:38
Personnel: Mercer Ellington - Arranger
Johnny Hodges - Clarinet, Reeds, Sax (Alto), Sax (Soprano), Soloist
Ray Nance - Trumpet, Violin, Vocals, Soloist
Rex Stewart - Cornet, Soloist
Ben Webster - Reeds, Arranger, Sax (Tenor), Soloist
Cootie Williams - Trumpet, Soloist
Lawrence Brown - Trombone, Soloist
Herb Jeffries - Vocals, Soloist
Ivie Anderson - Vocals, Soloist
Jimmy Blanton - Bass, Soloist
Sonny Greer - Drums, Soloist
Barney Bigard - Clarinet, Reeds, Sax (Tenor), Soloist
Harry Carney - Clarinet, Reeds, Sax (Alto), Sax (Baritone), Soloist
Duke Ellington - Piano, Arranger, Celeste, Soloist
Fred Guy - Guitar
Chauncey Haughton - Clarinet, Reeds, Sax (Tenor)
Billy Strayhorn - Piano, Arranger, Celeste, Soloist
Juan Tizol - Trombone (Valve), Soloist
Wallace Jones - Trumpet
Otto Hardwick - Reeds, Sax (Alto)
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