After years of playing as an acclaimed side musician and serving as a mainstay in the Billy Harper
Quintet, pianist Francesca Tanksley has finally made her debut with Journey. Joining her on
this trio
set are her
fellow rhythm
section players from Harper's quintet, bassist Clarence Seay and drummer Newman Taylor Baker.
All of the songs on Journey are her originals,
composed over a 12-year period. The opening tune, "Into the Light," is a bright,
mid-to-uptempo tune in which Tanksley utilizes a lithe and active left hand.
"Dance In the Question" opens with a short statement by Baker, then launches into
shifting rhythms, a staple of her composing. Tanksley and Seay play the theme in unison as Baker
takes a brief, percolating solo. "In Grace" is a beautiful ballad that features Baker with
brushes at the beginning. Tanksley paints her portrait on a spare, uncluttered canvas. Seay takes
an understated but eloquent solo in the middle as Baker and Tanksley build a frame around him.
Her playing has some nice moments of introspection and interior dialogue.
"Trickster" opens with a drum statement--and as its title implies, the song is a
mischievous burner of shifting time signatures. "Simple Heart," a
tender ballad, opens up with a wonderfully
constructed statement by Tanksley, followed by a simultaneous piano/bass descent along the
scales. On "Journey Without Distance" Tanksley plays swirling cascades of notes. After a
furious, passionate turn - arguably her most stirring playing on the disc - Seay elbows his way to the
fore and delivers a sprightly solo as Baker whispers behind him. The closer,
"Never Defeated," finds Tanksley weaving more of her rapid-fire keyboard embroidery to
Seay and Baker’s
ample support.
Tanksley is reminiscent of McCoy Tyner in terms of style and execution. While her left hand
holds the fort, the right goes off on studied but elegant flights. The meshing of the trio is almost
telepathic at times. Clearly, the trio's shared tenure with Harper's group has had an effect on
Tanksley's composing; they know each other's moves, so to speak, and that empathy has been
factored into her songs. After this strong debut, as well as her recent performance as part of the Lost
Jazz Shrines series at the Tribeca Performing Arts Center, we can only hope that Ms. Tanksley
doesn't wait as long next time to give us more great music.
This review originally appeared in
All About Jazz-New York June 2003.
~ Terrell Holmes
