Dave Stryker(guitar) and Steve Slagle(alto, soprano sax) have a long standing musical relationship,
and this “debut” album is far from the first time these veteran sidemen have recorded together in the
studio. Nor is the rhythm section of Tim Horner (drums) and Bill Morning (bass) a new addition. All
these musicians have not only played together, they’ve joined together in a working group that has
stuck together for a remarkable seven years, gigging together even as each member pursed a
variety of
projects.
So this is hardly a novice effort. But it is the first sample of Stryker and Slagle as co-leaders, and
their work here reveals that close-knit playing which emerges only out of shared experience.
The album features seven compositions which cover a wide variety of styles. Slagle contributed
four, Stryker two, and Tim Horner the delicately spun “Hands of the Sculptress,” dedicated to his wife
and her art.
Each track sings with a certain fraternal satisfaction, the bond between the musicians creating a
smooth, laid-back atmosphere. Absent, however, is the muscular force expressed in the group’s live
playing. This may be because neither Moring nor Horner solo, depriving the sound of a certain
diversity, and causing some of the creative sparks that fly between the four on stage to become lost.
Part of the problem, if there is a problem, lies in the mildly washed-out sound of the cymbals, which
again seems to be a relatively constant recording hurdle. Comparing live music to recorded,
though, should never produce a hierarchical judgment, as the two processes are quite distinct.
In this case, the recorded product presents quiet, fluid renditions, the overall effect one of poise,
humor, and excellent musicianship. In addition to the already mentioned “Hands of the Sculptress,”
of particular note are “Every Dark Street,” a sumptuously slow blues that winds its way through its
own darkness, and the Brazilian influenced “Tudo Muda.”
~ Franz Matzner
